At first glance, both of them seem synonymous but give it some thought and you would realize both of them are very different concepts. Knowledge refers to learning concepts, principles and information regarding a particular subject s by a person through books, media, encyclopedias, academic institutions and other sources.
The Oxford English Dictionary lists five definitions for monster: Something extraordinary or unnatural; a prodigy, a marvel. An animal or plant deviating in one or more of its parts Technical knowledge essay the normal type; spec. An imaginary animal such as the centaur, sphinx, minotaur, or the heraldic griffin, wyvern, etc.
A person of inhuman and horrible cruelty or wickedness; a monstrous example of wickedness, or some particular vice. An animal of huge size; hence, anything of vast and unwieldy proportions.
The word 'monster' in America today can mean all of these things, though in the common vernacular it is generally used as 3 and 5 above: But what does the existence of monsters as 'imaginary' animals in a culture signify?
A culture's monsters emblematically embody its most acute anxieties. Cultures create and ascribe meaning to monsters, endowing them with characteristics derived from their most deep-seated fears and taboos. The body of the monster, then, becomes the site of these cultural proscriptions, representing the taboos of the societies that spawn them: A monster cannot be contained.
A monster disobeys its master, overspills its margins, consumes its benefactors. We make scapegoats of our monsters, attributing to them our own misdeeds and faults while using them as vehicles for intergenerational transfers of taboos and morals. The monster becomes a way of explaining the seemingly inexplicable.
The humanoid form most monsters assume is our own--familiar yet unfamiliar--and transgressions performed by the monster reinforce its status as 'other: A monster dwells on the fringes of what is culturally acceptable Grendel.
Banished to the physical and social hinterlands, he is also border guard Sasquatch.
Whoever crosses into the monster's realm has also transgressed, broken the taboo, courted contamination. The transgressor must then encounter the monster on its own terms. In Totem and Taboo, Sigmund Freud writes that taboo, originally a Polynesian word, means something that is simultaneously sacred and profane Taboo is characterized by a "dread of physical contact.
The violator of a taboo likewise becomes taboo and must be avoided.
Freud writes that the transgressor "has the dangerous property of tempting others to follow his example. He is therefore really contagious [emphasis mine], in so far as every example incites to imitation and, therefore, he himself must be avoided" Acknowledging that any system of categorization is somewhat arbitrary, subject as it must be to the caprices and whims of its creators, we propose four categorical rubrics of origination for our discussion of monstrosity, with the premise that each monster symbolizes one or more cultural taboos: Reanimated Monsters once-dead monsters revived ; Ecological Monsters monsters with environmental origins ; Human Monsters genetic freaks and psychotics ; and Technological Monsters monsters coming into being through the mis application of technical knowledge.This item: Knowing Machines: Essays on Technical Change (Inside Technology) by Donald Mackenzie Paperback $ Only 7 left in stock (more on the way).
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