C Answer key to Test over Chapters 1. B Answer key to Test over Chapters 1.
Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet.
Her gray sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before.
Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out onto a rosy-colored porch, open toward the sunset, where four candles flickered on the table in the diminished wind. She snapped them out with her fingers.
The Great Gatsby seems to be enjoying a moment, what with the success of the New York production of Gatz, opening in London (described by America's leading theatre critic Ben Brantley as "The most remarkable achievement in theatre not only of this year but also of this decade"), and the release later this year of Baz Luhrman's $m film . Personally, I enjoy Alfred Kazin’s writing on Fitzgerald. (An American Confession and F. Scott Fitzgerald: The Man and His Work may be two items to look up.) Currently, you can access a critical review of Tender is the Night by eminent literary critic Malcolm Cowley at the New Republic (online). The essay was originally published in and offers a . The Great Gatsby by F Scott Fitzgerald The book which will be studied within this essay is ‘the Great Gatsby’ by F. Scott Fitzgerald. The method of narration within ‘the Great Gatsby’ helped me to appreciate two important aspects of .
I always watch for the longest day in the year and then miss it. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire.
They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase toward its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself.
When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned toward me. Things went from bad to worse, until finally he had to give up his position.
As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. You remind me of a — of a rose, an absolute rose.
I am not even faintly like a rose. She was only extemporizing, but a stirring warmth flowed from her, as if her heart was trying to come out to you concealed in one of those breathless, thrilling words.
Then suddenly she threw her napkin on the table and excused herself and went into the house. Miss Baker and I exchanged a short glance consciously devoid of meaning. A subdued impassioned murmur was audible in the room beyond, and Miss Baker leaned forward unashamed, trying to hear.
The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether. I want to hear what happens. She sat down, glanced searchingly at Miss Baker and then at me, and continued: Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at every one, and yet to avoid all eyes.
To a certain temperament the situation might have seemed intriguing — my own instinct was to telephone immediately for the police.
The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front.
In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl.
Would you like to hear?
Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me.
I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged.
Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post.
The lamp-light, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms.
When we came in she held us silent for a moment with a lifted hand. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. I think the home influence will be very good for her. Our white girlhood was passed together there.
I said lightly that I had heard nothing at all, and a few minutes later I got up to go home.Analysis of “Materialistic Perception” in F. Scot Fitzgerald Using Marxist Literary Criticism Chapter I Introduction The Great Gatsby is a novel written by American author F.
Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of In The Great Gatsby Fitzgerald offers up commentary on a variety of themes — justice, power, greed, betrayal, the American dream, and so on.
Of all the themes, perhaps none is more well developed than that of social stratification. - The Great Gatsby: Gatsby's Illusion of Himself F.
Scott Fitzgerald's The Great Gatsby is considered a novel that embodies America in the s. In it, the narrator, Nick Carroway, helps his neighbor Jay Gatsby reunite with Daisy Buchanan, with whom he has been in .
The Great Gatsby, F. Scott Fitzgerald AP Language Student Activity Study questions for the novel:(With thanks to Jennifer Troy) Chapter1 1. Examine the connotative language Fitzgerald uses to contrast West Egg and East Egg. The Great Gatsby, F. Scott Fitzgerald AP Language Teacher Overview Skill Focus Analysis of a Text Meaning and Effect related to parts of speech, phrases, clauses, sentences, and syntax The Great Gatsby.
The Great Gatsby. Gatsby. The Great Gatsby. The Great Gatsby, by F. Scott Fitzgerald Chapter 1 In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.